In Balkhash, where the livelihood of most of its inhabitants relies on the mines and fishing, locals have already begun feeling the effects of the changing ecosystem. Gulnara, a 47-year-old owner of a fish stall at the city’s main bazaar, says that it’s increasingly difficult to work in the fishing industry. ‘’Elder people say that before there was so much fish that we could catch it with our own hands. Now, it is much more difficult to catch fish,’’ she says while she tries to attract the attention of potential clients strolling around the bazaar. ‘’We have concerns about the future of our children and grandchildren. We are concerned that if the nuclear plant is built, it will create problems.’’
Art As Activism
Despite Balkhash’s grim outlook and little public opposition to the construction of the plant, for over four years, Aigerim Qapar, a 37-year-old researcher and co-founder of the Artcom platform, a women-led organization of artists, academics, and journalists, has organized different grassroots initiatives to raise public awareness about the lake to pressure the government to change course. Through exhibitions, poetry performances, and talks, they engage local populations throughout Kazakhstan, including Balkhash City.
‘’One of the topics we are discussing is this upcoming nuclear plant. The lake as it is, is not sustainable,’’ says Aigerim. ‘’In a few years, the impacts will grow, and of course, the impacts of this nuclear plant will kill the lake.’’
We have concerns about the future of our children and grandchildren. We are concerned that if the nuclear plant is built, it will create problems.
Gulnara
Although an overwhelming majority of Kazakhs voted in favor of the plant and international observers deemed the Oct. 6 referendum transparent and fair, the country’s media landscape remains tightly controlled by the government. Reporters Without Borders describes it as ‘’essentially a propaganda outlet for the Kazakh regime.’’ As a result, critical issues — such as the environmental impact of the proposed nuclear power plant on Balkhash’s fragile ecosystem — have received little to no coverage in local media. This raises serious questions about whether Kazakhs were fully informed of the potential consequences when casting their votes.
Aigerim believes people were not adequately aware of the effects of the plant on the lake before they cast their vote. ‘’The problems of Lake Balkhash were hushed up before the referendum. The government said the lake is not in danger, although there is not a single study of how the nuclear power plant will affect the environment.’’
Anuar Duisenbinov, a 39-year-old queer poet from the southern side of Balkhash, believes platforms such as Artcom are important to show there is opposition against the government’s plans. ‘’I think [Artcom] is important to show that people care about this place. Balkhash is the place of power from my childhood, so I [started writing] about my childhood in Balkhash. Now I write about the place. It is a beautiful circle.’’
Sitting in a coffee shop in Almaty, Anuar recalls, ‘’when I saw Balkhash for the first time, I remember how beautiful it was, it was a strong feeling. I was very happy to go there every summer and communicate with the water and the sand. The disappearance of Balkhash is not a nice feeling.’’ He sees Artcom as an opportunity to examine the history and future of the lake from different lenses. ‘’[Artcom] shows we can see this place and this process from a different perspective besides political or scientific. You can have different layers of understanding of what this place is. You can go politically, and ecologically, you can go through art or through poetry. [Aigerim] wants all of this to come together,’’ concludes Anuar.