Thierry Noir spent five years painting the Berlin Wall illegally every day. “I wanted to cover the wall with colours to wrap it up with paintings, to make it luminous, to show it like a mutation in the city, a mutation in art and nature,” he says. “I could not make the wall beautiful because in fact it would have been absolutely impossible to do so”. (Guardian)
Hey there! Before you go, please take a moment to support Inkstick Media.
As the first and only foreign policy outlet written explicitly by and for a broader, younger, and more diverse audience, Inkstick offers new views on the big, emergent questions and debates that typically are discussed behind closed doors in Washington DC, in elite diplomatic circles, and the halls of think tanks. Quite simply: Inkstick is foreign policy for the rest of us.
If our content is something that you’ve come to rely on over the course of the past three years, please click on the link below to make a donation today. Just $5 a month makes a huge difference. Together, we can tell the stories that need to be told.
DONATE HERE