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Lost in Translation

Turns out Google Translate is worse than we thought.

Words: Laicie Heeley
Pictures: Greg Rutkowski
Date:

Greg is an artist whose clients include Magic the Gathering and Dungeons and Dragons. And much like a lot of the folks striking in Hollywood right now, he’s ticked off about AI.

It’s a story we hear a lot these days: AI is having an impact on everything in our lives, and it’s killing creators’ livelihoods.

What we don’t hear, though, is what that story has to do with the people seeking asylum in the United States every day.

In this episode, we’ll show you how their lives can be forever changed by similar large language models to the ones used to copy Greg’s art.

Guests:

Greg Rutkowski, visual artist; Ariel Koren, founder and CEO, Respond Crisis Translation; Uma Mirkhail, Afghan languages team lead, Respond Crisis Translation; Andrew Deck, reporter, Rest of World

Thanks Also To:

Leila Lorenzo, policy director, Respond Crisis Translation

Additional Resources:

AI Translation Is Jeopardizing Afghan Asylum Claims, Andrew Deck, Rest of World

Seeking Asylum at the u.s.-Mexico Border? You’d Better Speak English or Spanish, Andrew Deck, Rest of World

Learn about Respond Crisis Translation here.

See more of Greg Rutkowski’s art here.

Laicie Heeley

Editor in Chief

Laicie Heeley is the founding CEO of Inkstick Media, where she serves as Editor in Chief of the foreign policy magazine Inkstick and Executive Producer and Host of the PRX- and Inkstick-produced podcast, Things That Go Boom. Heeley’s reporting has appeared on public radio stations across America and the BBC, where she’s explored global security issues including domestic terrorism, disinformation, nuclear weapons, and climate change. Prior to launching Inkstick, Heeley was a Fellow with the Stimson Center’s Budgeting for Foreign Affairs and Defense program and Policy Director at the Center for Arms Control and Non-Proliferation. Her publications include work on sanctions, diplomacy, and nuclear arms control and nonproliferation, along with the first full accounting of US counterterrorism spending after 9/11.

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